Born in Stockholm, Erik Gunnar Asplund plays a central role in the development of  Scandinavian architecture and design of twentieth century. His work has influenced architects and designers such as Alvar Aalto, Erik Bryggman, Arne Jacobsen, Jørn Utzon.

The works of years 1911 - 1930 are permeated by neo-classical language, the so called "modern classicism", based upon a free integration between classic and vernacular themes. 1930 is the year of the Stockholm Exhibition, the year of his transition from a highly personal, free and eclectic experience to the Modern Movement, personally interpreted.

Asplund's most meaningful architectural works are: the Chapel in the wood (1918-20); the Skandia Cinema in Stockholm (1922-23); the Stockholm City Library (1921-28); the extension to Göteborg Town Hall (1916-37); the Brendenberg Stores in Stockholm (1933-35); the Bacteriological Laboratory buildings (1932-37); the architect's Summer House at Stennäs (1937); the Crematorium and south side of Stockholm Cemetery, his masterpiece.

His most meaningful interior decoration and design works are: the design for low-cost housing for the Swedish "Arts and Crafts" Association Exhibition (1917); interior  decoration and furniture for the "Stockholm Art and Industry Association" (1920); interiors and furnishings for the Main Hall of Stockholm City Hall (1921); interior decoration and